News

Amy Poehler Says ‘SNL’ Actors ‘All Played People We Should Not Have… I Misappropriated, I Appropriated’: Everything in Comedy Has an ‘Expiration Date’

Amy Poehler Says ‘SNL’ Actors ‘All Played People We Should Not Have… I Misappropriated, I Appropriated’: Everything in Comedy Has an ‘Expiration Date’

Amy Poehler recently reflected on her past performances as part of the "Saturday Night Live" cast, acknowledging the problematic nature of some characters she portrayed. In a candid conversation with former castmate Will Forte on her podcast, "Good Hang," Poehler admitted that every comedian who has graced the "SNL" stage over the years has inevitably played roles they perhaps should not have. “As we grow older in comedy,” she noted thoughtfully, “we come to realize that everything—everything—has an expiration date.”

Reflecting further, Poehler recalled a poignant moment during "SNL50," when the show dedicated a segment to acknowledging its missteps. "There was even this powerful section where they highlighted all the times we got it wrong," she explained. "They showcased inappropriate casting decisions and moments that were deeply out of touch." She confessed, "We all portrayed people we shouldn’t have. I misappropriated, I appropriated...I simply didn’t know better at the time."

Poehler was referring to the iconic 'SNL50' sketch, where Tom Hanks introduced an In Memoriam segment spotlighting the many controversial jokes and sketches that had aired throughout the show’s history. The montage included jarring clips like those involving sexual harassment and infamous moments such as Adrien Brody donning dreadlocks and adopting a Jamaican accent.

With a wink to the audience, Tom Hanks remarked, “Even though these characters, accents, and let’s just call them ‘ethnic’ wigs were undeniably in poor taste, you all laughed along. So if anyone deserves to be canceled, shouldn’t it be you, the audience? Something worth

Jun 20, 2025
That Terrifying Chant in ’28 Years Later’: Danny Boyle Explains How a 110-Year-Old Recording Came to Define the Film

That Terrifying Chant in ’28 Years Later’: Danny Boyle Explains How a 110-Year-Old Recording Came to Define the Film

When the first teaser for "28 Years Later," the third chapter in Danny Boyle and Alex Garland’s iconic horror saga, arrived, its visceral imagery of a dystopian world overrun by zombies was enough to send shivers down anyone's spine.

Yet what elevates this trailer from merely unsettling to deeply haunting is the chilling rhythmic chant that underpins it. A high-pitched, nasal voice delivers the chant with military precision, monotonal at first but gradually crescendoing into an increasingly frantic cadence. As the visuals and accompanying score accelerate in intensity, the auditory experience becomes almost unbearable—an aural embodiment of dread.

In this context, even though the lyrics seem disconnected from the apocalyptic scenes on screen, their effect is nothing short of harrowing. The chant feels like a deranged rap song, its repetition drilling itself into your psyche, amplifying the ominous tone of the film.

This haunting incantation turns out to be "Boots," a poem by Rudyard Kipling originally published in 1903. Intended to capture the maddening monotony of soldiers marching during wartime, it draws inspiration from the grueling marches endured by British troops across southern Africa during the Second Boer War, according to the Kipling Society.

The version used in the film dates back nearly as far as the poem itself, recorded in 1915 by actor Taylor Holmes. His dramatic reading begins with militaristic formality, setting the scene with precise diction. However, by the end, his voice spirals into hysteria while maintaining the relentless rhythm:

"I—have—marched—six—weeks in hell and certify
It—is—not—fire—devils, dark, or anything,
But boots—boots—boots—boots—movin��
Jun 20, 2025
Lena Dunham Describes Her Netflix Series ‘Too Much’: “When a Loud, Messy Jewess Descends on a City of Deeply Repressed People”

Lena Dunham Describes Her Netflix Series ‘Too Much’: “When a Loud, Messy Jewess Descends on a City of Deeply Repressed People”

Audiences last week got a preview of what to expect from Lena Dunham‘s upcoming small-screen return with the teaser trailer for her Too Much rom-com series, which starts streaming on Netflix July 10.

But guests at a recent Tribeca Festival panel with Dunham and moderator Michelle Buteau were treated to more of an advance look in the form of clips and a conversation about how the show came about and what to expect from the Megan Stalter and Will Sharpe-starrer.

The series’ official synopsis is: “Jessica (Stalter) is a New York workaholic in her mid-thirties, reeling from a broken relationship that she thought would last forever and slowly isolating everyone she knows. When every block in New York tells a story of her own bad behavior, the only solution is to take a job in London, where she plans to live a life of solitude like a Bronte sister. But when she meets Felix (Sharpe) – a walking series of red flags – she finds that their unusual connection is impossible to ignore, even as it creates more problems than it solves. Now they have to ask themselves: do Americans and Brits actually speak the same language? From the creator of <

Jun 20, 2025
King Charles and Idris Elba Team Up on Netflix Doc About Charity That “Changed” Actor’s Life

King Charles and Idris Elba Team Up on Netflix Doc About Charity That “Changed” Actor’s Life

In a remarkable collaboration, King Charles and Idris Elba are set to embark on a new Netflix documentary. This project delves into the profound impact of The King's Trust, celebrating the charity's 50th anniversary.

For Luther star Elba, this journey holds personal significance. He was once a beneficiary of a grant from the Trust (then known as The Prince’s Trust, before Charles ascended the British throne). That small yet transformative opportunity allowed him to pursue his passion for acting, shaping the course of his life.

The currently untitled documentary will see Elba, founder of the Elba Hope Foundation, accompanying King Charles as he grants rare access and insights into his enduring support for the Trust over five decades. At its core, Netflix envisions the film as a celebration of the compelling stories of some of the one million young people the charity has empowered globally.

“The King’s Trust gave me an opportunity that changed my life,” Elba reflects with heartfelt gratitude. “When I lacked the resources to chase my dreams, they provided tangible, practical support—including financial assistance—that helped me take those crucial first steps toward advancing my career.”

He adds with conviction: “Through the Elba Hope Foundation, my mission is to create similar opportunities for young people brimming with potential but hindered by lack of access. Around the world, millions are still waiting for their chance to shine. This documentary aims to illuminate what becomes possible when that door opens—and why The King’s Trust continues to play such a vital role in transforming liv

Jun 20, 2025
Streaming Ratings: ‘Sirens’ Premieres at No. 1 Overall

Streaming Ratings: ‘Sirens’ Premieres at No. 1 Overall

Netflix’s Sirens made a dazzling entrance, securing the top spot on Nielsen’s streaming charts during its debut week. The show, featuring Meghann Fahy, Milly Alcock, and Julianne Moore, captivated audiences with over a billion minutes of viewing time from May 19-25, reaching an impressive total of 1.36 billion minutes. This performance marked the highest weekly viewing time since You achieved 1.78 billion minutes from April 28-May 4.

Meanwhile, Hulu's lineup saw notable improvements. The Secret Lives of Mormon Wives garnered 810 million viewing minutes, reflecting a 19 percent increase from the previous week when its second season premiered. Additionally, The Handmaid’s Tale, with 637 million minutes, experienced a 30 percent growth just before its series finale, underscoring its enduring appeal.

The Last of Us accumulated 707 million minutes of watch time on Max in the week leading up to its season two finale, including some final episode views. Despite experiencing a decline in ratings this season, it managed to remain in the overall top 10. Notably, Andor, which topped the charts the previous week, stayed within the top 10 originals with 527 million viewing minutes post-series finale.

In the movie category, the 2018 film Instant Family claimed the No. 1 spot with 484 million minutes of viewing on Netflix and Paramount after being added to the service on May 16. The Wild Robot, logging 440 million minutes, benefited significantly from its addition to Netf

Jun 20, 2025
How to Watch the Nickelodeon Kids’ Choice Awards Live Online

How to Watch the Nickelodeon Kids’ Choice Awards Live Online

If you purchase an independently reviewed product or service through a link on our website, The Hollywood Reporter may receive an affiliate commission.

This year, the world eagerly anticipates who will be drenched in slime at the highly anticipated Nickelodeon Kids’ Choice Awards. As fans tune in this Saturday, they'll witness the 38th annual event hosted by the charismatic singer/songwriter Tyla. Broadcast live from the iconic Barker Hangar in Santa Monica, California, this spectacle promises to deliver unforgettable moments and joyous celebrations.

At a glance: Watch the 2025 Nickelodeon Kids’ Choice Awards online

Continue reading to discover how you can stream the 2025 Kids’ Choice Awards online—whether you're a cable subscriber or a cord-cutter—and even learn how to watch it for free.

The 2025 Kids’ Choice Awards premieres on Saturday, June 21, at 8 p.m. PT/ET, airing not only on Nickelodeon but also across TeenNick, Nicktoons, Nick Jr., TVLand, and MTV2. Cable viewers can enjoy the show on their respective channels, while those who prefer streaming services can access the event via platforms like Jun 20, 2025

Outer Banks Promotes Two Ahead of Final Season — See the Remaining Pogues (Sniff!) in First Season 5 Photos

Outer Banks Promotes Two Ahead of Final Season — See the Remaining Pogues (Sniff!) in First Season 5 Photos

In the upcoming final season of Outer Banks, two beloved characters are set to take on more prominent roles, as revealed by recent cast promotions.

Tony Crane, who embodies the enigmatic and dangerous figure of JJ’s estranged father/murderer Chandler Groff, and Cullen Moss, portraying the ever-watchful Sheriff Victor Shoupe, have been elevated to series regulars for Season 5. This news, reported exclusively by TVLine, promises deeper exploration into their complex backstories and interactions with the core group of Pogues.

As the Netflix adventure drama embarks on its swan song, production commenced last Friday in Charleston, South Carolina. The first glimpse of returning cast members has already been unveiled, featuring Chase Stokes, Madelyn Cline, Madison Bailey, Jonathan Daviss, Drew Starkey, and Carlacia Grant. Notably absent from these initial photos but equally vital to the story are Austin North and Fiona Palomo, who will reprise their roles alongside their fellow Pogues.

However, one heart-wrenching absence looms large: Rudy Pankow's character, JJ, who met a tragic end at the hands of his criminal biological father, Chandler Groff, in the explosive Season 4 finale. In an emotional climax that left fans reeling, JJ handed over the coveted treasure known as the Blue Crown to Groff in exchange for Kiara's safety. But Groff’s greed knew no bounds; unsatisfied with merely fleeing with the ill-gotten goods, he delivered a chilling monologue before stabbing JJ in cold blood.

Bleeding profusely, JJ collapsed into Kiara’s arms, his voice trembling yet resolute. “Take care of the others, OK?” he whispered, his love for her shining through even in his final moments. With those poignant words, the young outlaw breathed his last, leaving behind a void that would forever change the lives of those who loved him.<

Jun 20, 2025
James Gunn Says His ‘Favorite’ DCU Project Is a New TV Show, Talks Peacemaker‘s Importance to Phase 1

James Gunn Says His ‘Favorite’ DCU Project Is a New TV Show, Talks Peacemaker‘s Importance to Phase 1

Among the many exciting projects in the works for the new DC Universe (DCU), one stands out as particularly dear to the heart of its co-architect, James Gunn. As the cinematic world eagerly anticipates the release of Superman next month, Gunn reveals that his true passion lies with a television series currently in development—a project he hopes will soon come to fruition.

In an expansive interview with EW.com, Gunn provided updates on several upcoming TV ventures. Speaking alongside fellow DC Studios CEO Peter Safran, Gunn mentioned that by May 22, he was nearing completion on Peacemaker Season 2, set to premiere on August 21. "We're going to see early episodes of that soon," he shared enthusiastically. Additionally, filming for Lanterns, featuring Kyle Chandler and Aaron Pierre as Hal Jordan and John Stewart respectively, is halfway through, with previews also expected shortly.

Gunn also touched upon the progress of the Wonder Woman-centric Paradise Lost series, describing it as "slow-moving but moving along." However, it's another unannounced project that truly excites him. "There’s another TV show that’s my favorite thing in all of this, hopefully getting made soon," he teased cryptically. "It’s just my favorite thing."

Later in the interview, Gunn elaborated on why this mysterious favorite has yet to be revealed. "When I pitched to [Warner Bros. Discovery CEO] David Zaslav what the DCU would be... we did not announce it in that first meetin

Jun 20, 2025
How Steven Spielberg’s ‘Jaws’ Endured a Hellish Production to Become Hollywood’s First Summer Blockbuster

How Steven Spielberg’s ‘Jaws’ Endured a Hellish Production to Become Hollywood’s First Summer Blockbuster

“The shark’s not working.”

For weeks, the cast and crew of “Jaws” kept hearing the same four words over their walkie-talkies while shooting the film’s climactic ocean battle. That familiar message terrified Steven Spielberg, 27 years old at the time, with only one theatrical feature to his name. If one of the production’s three animatronic great whites broke down, it could mean another wasted day. All the setbacks put the film more than 100 days behind schedule and doubled its budget to $8 million.

“We didn’t know how they were ever going to finish this movie,” remembers Jeffrey Kramer, who played a sheriff’s deputy in the film. “There were rumors all around the set that the studio was going to shut us down.”

Spielberg, who had been entrusted with turning Peter Benchley’s bestselling novel about a rampaging shark into a cinematic event, feared he’d be fired. Yet he was determined not to betray how much the pressure weighed on him.

“His nails were bitten to the stubs,” remembers Carl Gottlieb, the film’s co-writer. “But that was the only manifestation of his nerves. Steven knew he needed to lead by example. That meant concentrating on his job and keeping his cool even when everything around him was going to hell.”

And everything that could go to hell, did. Filming just off Martha’s Vineyard had been Spielberg’s idea. He thought making “Jaws” on the open water would give it authenticity. It turned out to be an agonizing ordeal. Boats filled with pleasure cruisers drifted into shots; the waves and weather were unpredictable, so maintaining continuity was nearly impossible; and everyone kept getting seasick. When they weren’t retching over the side of the boat, the actors oft

Jun 20, 2025