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Fresh from the complex journey of bringing “She’s Got No Name” to screens, director Peter Chan Ho-sun is already mapping out his next moves, with several projects in development that span from London-based martial arts fantasy to intimate marriage dramas. Speaking to Variety during the Shanghai International Film Festival, which opened with “She’s Got No Name,” Chan revealed he’s been spending considerable time in Los Angeles working on international co-productions designed for global markets. “Most of the movies that we’re developing are movies of passion that we wanted to make, that are outside our comfort zone in our own home turf,” Chan says. The most advanced of these projects is a martial arts fantasy that has undergone a significant geographical shift. Originally conceived as a Hong Kong-set film with an attached international Chinese actor, Chan has relocated the project to London. “I had an international Chinese actor attached, that was going to be shot in Hong Kong, which is a martial arts fantasy that is set in modern time. And I wanted to change location to London, and I’ve hired an English writer to write,” he reveals. The project, currently titled “Anonymous,” explores a concept rooted in Chinese martial arts tradition but reimagined for contemporary audiences. “It’s about people that have lineage of martial arts from tens of thousands of years ago that would be passed on from generations to generations. And they are all masters in their own right,” Chan explains. The story centers on individuals wh

「ビームービー」は、同じ尺度で喜んで困惑し、困惑した視聴者を残しました（しゃれは申し訳ありません）。バリー・B・ベンソンとしてジェリー・サインフェルドが主演するこの2007年のアニメーション長編映画は、蜂の人生の忘れられない旅に視聴者を連れて行きました。バリーは初めてハイブの外に出て、人間がミツバチから蜂蜜を盗んでいたことを発見しました。ハニーファームに投獄されたミツバチの光景によってさらに恐ろしく、バリーは大胆な使命に着手し、蜂蜜をミツバチの正当な財産として取り戻すために人道に対する訴訟を開始しました。 それが十分に奇妙ではなかった場合、映画のサブプロット（はい、別の蜂のようなしゃれ）は、バリー、蜂、そして人間の女性の間のロマンスを中心に展開しました。この予期しないペアリングそして、あなたが物事がこれ以上奇妙にならないと思ったら、ある時点で、プーさんが撃たれました。はい、本当に。 "bee movie" はワイルドな乗り物であり、リリース以来無数のミームを生成したと言っても安全です。すべての話題にもかかわらず（わかりました、わかりました、私はやめます）、「ビームービー」は、続編が見えないスタンドアロンのリリースのままです。しかし、サインフェルドはそれを変えるかもしれません。クリス・ロックを含む星がちりばめられたキャストと並んで、サインフェルドはドリームワークスの映画を共同執筆し、共同プロデュースしまし�

The Mad Titan. The Purple People-Eater. Evil Grimace. We only made up one of those nicknames, but make no mistake, Thanos is one of the most formidable villains and downright evil in comic book history. That's due to his sheer strength and commitment to fulfill whatever awful goal he has in mind. He's even more powerful when he has the power of the Infinity Stones (or Gems) at his disposal, allowing him to bend the fabric of reality to his whims.Whether you've read some comics or just stay up-to-date on all things within the Marvel Cinematic Universe, you're probably somewhat familiar with Thanos at this point and a couple of the nefarious acts he's committed. But whatever you know likely only scratches the surface of his madness. Some may have the unpopular opinion that Thanos is a terrible on-screen villain, but you'll change your tune once you realize how far he's willing to go. Keep reading to learn about the worst things Thanos has ever done to see why his name should absolutely inspire fear in all. Let's start off with Thanos' most famous act of villainy — wiping out half of all life in the universe. He's done it on a couple of occasions, starting with the comics where he did it to appease the embodiment of Death. Thanos was dead at the time, but Death resurrected him, seeing as there was an imbalance in the universe. She tasks Thanos with eliminating half of all life forms, and he's more than happy to oblige.Balance is also the name of the game when it comes to the MCU. However, this time, Thanos isn't trying to win favor with Death, who would later be embodied by Aubrey Plaza in "Agatha All Along." Instead, Thanos saw what ove

リンクからの購入に関する手数料を受け取ることがあります。 「ジュラシックワールド」の3部作は、「スターウォーズ」の前編の三部作によく似ており、世界で最も象徴的なフランチャイズの1つにある混合バッグとして記憶されます。Colin Trevorrowが監督したシリーズの最初の映画は、記念碑的な成功であり、完全に運用可能な恐竜のテーマパークに私たちを連れ戻しました。続編、 "fallen王国" 文字通り抹消されたイスラ・ナブールは、世界のために舞台を設定します。しかし、2022年の分割払い「ドミニオン」は、多くの人が予想していたものを提供することに失敗しました。世界中の都市で大混乱を引き起こしている恐竜の世界的な大暴れです。なぜこのスリリングなビジョンが実現しなかったのですか？ 最近のインタビューで 私がそれを言うとき、それは映画だけではありません。それも私たちのアニメーションショーです。彼らはそれをたくさんしました。特に新しいもの[ジュラシックワールド：カ

Sometimes the best stories are worth the wait. Giuseppe Tornatore revealed at a Shanghai International Film Festival masterclass that his beloved Oscar-winning film “Cinema Paradiso” gestated for 11 years before he wrote a single word. “When I made my first film about the Mafia [“The Professor”], I was already brewing the script for ‘Cinema Paradiso’ in my mind,” Tornatore explained to film scholar Marco Müeller during the conversation at Shanghai, where he served as the head of the main competition jury. “It took 11 years of contemplation before I actually started writing the script.” When he finally put pen to paper after more than a decade of contemplation, the script poured out in just two and a half months. “I had been thinking about this story for 11 years,” he said. “Once I started writing, it felt like the story was already complete in my mind.” The evening followed a screening of “Cinema Paradiso,” with Tornatore weaving together memories of his Sicilian childhood and reflections on storytelling that spans decades. He later revealed a serendipitous encounter that validated his creative process. “After this film was completed, I once met the author of ‘One Hundred Years of Solitude,'” Tornatore recounted. “During our conversation, Gabriel García Márquez said something to me: when you start brewing a story in your mind, don’t write it immediately, just think about it — the more you think, the richer the story becomes.” The director’s relations

When Indiana Jones debuted in 1981's "Raiders of the Lost Ark" (still the best Indiana Jones movie) he represented something entirely new yet distinctly recognizable. At least, he was recognizable to anyone who'd grown up in the decades prior to his arrival. Indy creator George Lucas and director of the first four movies, Steven Spielberg, have made no secret of the inspirations behind Henry Jones Jr. Aside from the adventure serials of the 1930s, 40s, and 50s, the character's look was influenced by Humphrey Bogart's character in "Treasure of the Sierra Madre." But Charlton Heston's Harry Steele in 1954 's "Secret of the Incas" is arguably the most Indiana Jones-like figure from that era, with his large fedora and brown leather jacket providing a blueprint for Harrison Ford's intrepid archeologist. It wasn't just Bogart and Heston that formed part of the genesis of Indiana Jones, though. Lucas was inspired by so many of the films he'd seen as a child, and while one mostly overlooked John Wayne adventure outing might not have been a direct inspiration, it has all the makings of an Indy classic. Wayne might be best known for epitomizing the Western star and generally representing the archetypal American hero (at least for a period when culture was generally much more conservative), but he also got in on the treasure hunting action. In the mid-1950s the renowned star fronted a movie that would have provided the perfect adventure for Dr. Jones himself, complete with lost desert cities, treasure, and a female companion who's just as plucky as the leading man.By the mid-1950s John Wayne was a well-established star. Having broken through with John Ford's "Stagecoach" back in 1939, Duke had become a real American icon in the years since, t

家族向けの楽しいホリデーコメディとして販売されていましたが、ジョンパスキンの1994年の大ヒット作「The Santa句」には、その中心に暗くねじれた前提があります。物語はクリスマスイブに展開されます。そこでは、離婚した父親のスコット・カルビン（ティム・アレンが演じる）が幼い息子のチャーリー（エリック・ロイド）を世話しています。彼らが夜に落ち着くと、屋上からの珍しい騒ぎが響き渡ります。調査すると、スコットは彼の煙突を降りる準備をしている非常に本当のサンタクロースに出会います。パニックの瞬間に、スコットの驚いた爆発は、陽気な老人が屋根から転がり落ちて、彼の早すぎる終miseになります。サンタクロースのこの偶発的な過失致死罪は、子供向けの心温まる物語と思われるものの不安な基盤として機能します。フランチャイズ。 サンタの持ち物の中で、スコットは名刺を発見し、象徴的な赤いコートを着てサンタの職務を続けるように促します。しぶしぶ、スコットはそりを北極に戻ってパイロットし、そこで彼はチーフ・エルフ・バーナード（デイビッド・クルムホルツ）から、コートを着ることでサンタクロースのマントルを公式に想定していることを学びました。翌年、スコットは驚くべき変化を経験します。体重を増やし、髪が灰色になり、ひげが不自然に速く成長します。軽快なディズニーのファンタジーの下には、より暗く、よりクローンベルジアの物語があります。これは、スコットが彼の漸進的な身体的変態によって撃退される物語です。しかし、「サンタクロース」は、完全に恐怖を掘り下げるため��